Animated Britain: Selections from Collections

Guest blogger: Ayesha Farooqui, Bradford College Animation Student

Paul Wells spoke on behalf of the Archive for British Animation Collections (ABAC), which is trying to create a British animation archive. He was well spoken, really clear and to the point.



Paul talked about the several issues which prevent and delay them from creating this archive, such as damage to objects and film, and locating and securing artefacts which may have been passed to the animators' family. An obvious issue is funding, and the transfer of skills and knowledge is a future issue.

If you want to listen to Paul's presentation, the podcast is available on SoundCloud.



Up until the screenings, I was really uninterested. I thought preserving the history of old animations wasn't worth my time, never mind my money. But then I saw what animation was like back in the old days. The Police Dog is a divine animation that needs to be kept and stored. Its quality animation, its innocent humour even made this modern day audience chuckle.

Fun on the Farm was so imaginative and creative. Eggs are rolling around, and one cracks which brings out the egg ambulance and egg paramedics to treat the injured egg. It's an hilariously adorable animation. The soundtrack reminded me of the soundtrack from the Disney film Pinocchio. So upbeat and happy with corn that dances like the Egyptians. For an old animation it's very smooth, and I learnt so much watching just these few animations.

Review of Panorama 1 at BAF 2011

Guest blogger: Ayesha Farooqui, Bradford College Animation Student

The cinema was filled with a healthy number of people - I had the right idea when I sat on the front row! Panorama 1 was an amazing collection of animations, all with various emotions and drawing techniques. It was enough to persuade me to watch the other Panoramas, the films were that inspiring.

A few of them really stood out for me.



The Saga of Biôrn, a 3D animation that is not only funny, but full of talent. A Viking is determined to get into the heaven of the Viking gods by heroic death. His attempts fail several times, for his enemies always end up killing themselves before he even touches them. My favourite technique in this animation is that it blends 3D animated characters with 2D backgrounds.



Another delightful animation is Ishihara, a simple animation made from coloured circles, telling the story of a boy who is colour blind, and later completely blind. David Lockard is the narrator, and his voice makes sense of the animation, even though it's a bunch of dots moving about. It really captured my attention and it was definitely an eye-opening and intelligent animation.



My eyes set upon a pretty lighthouse illustration with 'The Lighthouse' in a beautiful swirly typeface. This animation is made of flat browns, creams and cherry blossoms. The story is of parents supporting their children and making their children's dreams a reality.

A father and son live in a lighthouse and spend time together playing the piano. As the son grows up he spends less and less time with his father, and more time pursuing his dream. His father evidently gets older but is still happy his son has reached his goal.

When the father dies, the son with his wife and child continue the cycle, with the son supporting his family. This was an extremely emotional animation for me to watch, and I had tears in my eyes.